Federica Beretta is director at Hauser and Wirth Monaco, Monte-Carlo. She previously managed art galleries in Mayfair and Chelsea for ten years, where she curated forty exhibitions for renowned Contemporary artists and photographers. Federica worked as a full-time journalist and she collaborated with the art magazine Artribune, covering international art fairs and reviewing art exhibitions. Besides, she has curated various public art projects in collaboration with Westminster City Council, Art in Mayfair, City of sculpture and London Gallery Weekend in Berkeley Square, Marble Arch, Grosvenor Square and Bond Street. She was a juror in the selection committee of the Accessible Art fair at the Centre for Fine Art Bozar in Bruxelles, Art Rooms Fair and Art Apartments in collaboration with the Estorick Collection, museum of Modern Italian art in London. She organised tours to members of the Bank of America Arts and Creative Club in national museums and international auction houses. She studied Art and Finance, Marketing and Strategy at Sotheby’s Institute of Art. Federica holds a master’s degree in Culture, Policy and Management at City University London.

hauserwirth.com

Jasmine Deporta is a multidisciplinary visual artist mainly working in the field of photography. After her Bachelor in Design and Arts in Bolzano (IT) she completed her master's degree in Photography at Ecole Cantonal d’Art de Lausanne (ECAL) in Switzerland, where she is currently based.  Wihtin her practice she works by means of photographic methods and experimental working approaches in a transdisciplinary field between different media. Her work has been part of solo and group exhibitions in Berlin, London, Tokyo and in Switzerland, Greece and Italy.

jasminedeporta.com

Giulia Ferracci is an art curator living in Rome. She has collaborated with MACRO-Museumof Contemporary Art of Rome (2004-2006) and the Ministry of Cultural Heritage–Architecture and Art Department (2006-2009). Since2010, she has been working at the MAXXI - National Museum of 21st Century Art in Rome, where she has curated numerous catalogues, monographic and collective exhibitions including Gino De Dominicis. The Immortal (2010) ; William Kentridge. Pensiero verticale (2012); Clemens von Wedemeyer. The Cast (2013); PREMIO MAXXI (2012-2014-2016); PREMIO MAXXI BVLGARI (2018-2020-2022); Zerocalcare. Scavare fossati-nutrirecoccodrilli (2018). She was also co-curator with H.U.Obrist and G.Kvaran of Indian Highway (2011); with E.Motisi of The Independent(2013-2020); with H.Hanru of the following exhibitions: Huang Yong Ping. BâtonSerpent (2014); Jimmie Durham. Sound and Silliness (2016); Home Beirut. Sounding the Neighbors (2017); with Z.Badovinac of Bigger Than me. Voci eroiche dall'ex Jugoslavia (2021). Among the exhibitions as independent curator: Timezone, Wien (2016); Senza Eroi. Zerocalcare, Peccioli (2020).

maxxi.art 

Emanuele Masi, with an academic background in music, has directed his professional activity towards theatre curating and organisation. Artistic Director of the International Bolzano Dance Festival since 2013, he has relaunched the event on an international level, expanding its roots in the territory. In 2020 his project 'EDEN - dance for a single spectator', created in response to the pandemic, won the Danza&Danza Prize, while in 2022 the Politecnico di Milano awarded him the Gianluca Spina Prize for Digital Innovation. He has also served as Artistic Director of the Teatro Comunale in Bolzano and the dance seasons of the Teatro Sociale in Trento. Since 2015 he has collaborated with the Haydn Foundation of Bolzano and Trento and since 2021 he has been a consultant to the Fondazione Musica per Roma for the programming of dance activities at the Auditorium Parco della Musica and for the direction of the Equilibrio Festival, the restart of which he curated in 2022.

bolzanodanza.it
haydn.it

Stefan Sagmeister has designed for clients as diverse as the Rolling Stones and the Guggenheim Museum. He’s a two time Grammies winner and also earned practically every important international design award.
While his work is steeped graphics, he has also directed a film, created furniture, made products, designed a watch and ventured into clothing.
His books sell in the hundreds of thousands and his exhibitions have been mounted in dozens of museums around the world. His exhibit ’The Happy Show' attracted way over half a million visitors worldwide and became the most visited graphics show in history.
A native of Austria, he received his MFA from the University of Applied Arts in Vienna and, as a Fulbright Scholar, a master’s degree from Pratt Institute in New York.

sagmeister.com

Peter Zumthor, born in Basel in 1943, works in his studio with around three dozen employees in Haldenstein in Switzerland, where he designs architectural originals such as the Kunsthaus Bregenz, the Therme Vals, the Kolumba Museum in Cologne or the Steilneset Memorial in Vardø.

zumthor.org